01 - What We Do

Eight capabilities. One TSA.

Reference

The words behind the work.

Stage, rigging, drape, automation and compliance terms in plain English. If you have met one of these in a quote, a report or a conversation with a technician and nodded along, this is the page to come back to.

Rigging

36 terms

Arbor

The steel cradle that carries the counterweights and travels up and down the fly tower as the bar moves.

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Batten

A horizontal steel or aluminium pipe that lighting, scenery or soft goods are attached to and flown from. A lighting bar is a batten fitted out for lighting.

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Bow shackle

A rounded U-shaped steel connector closed by a removable pin, used to join rigging components; rated by working load in tonnes.

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Box truss

A four-chord lightweight aluminium truss, square or rectangular in section, used to span and carry rigging loads.

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Chain hoist

A motorised chain block that raises and lowers loads such as truss, scenery or drapes under powered control.

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Chord

One of the main load-bearing rails running the length of a truss; a truss is named by how many it has (2, 3, 4 or 5).

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Counterweight

A stack of steel weights that balances the load on a flown bar so one operator can move it by hand.

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Coupler

A clamp that joins tube to tube or bar to bar in a rig, in fixed, swivel, half and self-locking forms with different rated limits.

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Dead-hung

A bar, grid or fixture fixed in position that does not move, rigged once at a set height, as opposed to motorised.

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Deflection

How much a bar or truss bends under load; a little is normal, but pronounced sag means the span or weight is outside safe limits.

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Dropper

A short steel wire rope with end fittings that suspends a bar, grid or fixture from the structure above at a fixed point.

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EXE Rise

The electric chain hoist range TSA stocks, services and supports nationally, rated from 350 kg to 2500 kg.

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Fly bar

The horizontal pipe that stage drapes and scenery hang from, flown in and out from above the stage.

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Hauling line

The operating rope pulled to drive a counterweight set, running from the arbor up over the head block and back down.

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Head block

The multi-groove block at the top of the fly tower that gathers all the lift lines of one set and turns them down to the arbor.

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Hoist array

A group of powered hoists rigged and controlled together as one system to fly a large or multi-point load.

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Hoist duty class

A rating (such as D8, D8+ or C1) that sets whether an electric chain hoist may lift over people, suspend over people, or neither.

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Lift line

The wire ropes running from the batten up to the loft blocks and across to the head block, carrying the flown load.

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LITEC

The Italian truss manufacturer whose box, triangular and ladder ranges TSA supplies and rigs.

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Load share

How the weight on a bar or truss splits across its suspension points; inner points often carry more, so each hoist is rated for its share.

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Loft block

A sheave block on the grid that turns each lift line from vertical to horizontal on its run across to the head block.

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MBL

Minimum Breaking Load: the weight at which a part is expected to fail; the rated safe limit is a fraction of this figure.

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Pipe grid

A fixed framework of pipes hung over a space so lighting, audio, scenery and curtains can be rigged anywhere across it.

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Point load

A load concentrated at a single point on a bar or truss, rather than spread along its length.

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Rope lock

The floor-level clamp that grips the hauling line and holds a balanced line set where the operator leaves it.

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Round sling

A continuous loop of synthetic fibre inside a protective sleeve, light to handle and colour-coded by rated capacity.

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Safety factor

The margin between an item’s rated working load and the load at which it is expected to fail, set by the standard the equipment is built to.

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Shackle

A steel connector closed by a removable pin that joins rigging components, rated by working load.

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Sheave

A grooved wheel that guides a wire rope and changes its direction. Head and loft sheaves carry the lift lines across the top of a fly system.

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Sling

A flexible lifting component, synthetic or steel, that wraps a load or structure and connects it to the rigging above. Its rated limit changes with the hitch and angle.

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SWL

Safe Working Load: an older term for the rated safe load of equipment, now generally replaced by WLL (Working Load Limit).

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SWR

Steel Wire Rope: multi-strand steel cable used for suspension and flying, rated by its minimum breaking load.

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Truss

An aluminium frame of chords and diagonal bracing that spans distance and carries lighting, audio or scenic load, named for its number of chords.

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UDL

Uniformly Distributed Load: a load spread evenly along a bar or truss, rather than concentrated at a single point.

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Winch

A drum-and-cable drive that opens, closes or flies a curtain under powered or hand control.

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WLL

Working Load Limit: the maximum load a hoist, sling, shackle or bar is rated to carry in normal use, with the manufacturer's safety factor already applied.

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Soft goods

25 terms

Austrian festoon

A drape that rises vertically into deep horizontal pleats, traditionally velvet, used for musicals and gala staging.

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Borders

Short horizontal drapes hung overhead to mask lighting bars, rigging and flown scenery. Often paired with legs to frame the stage picture.

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Chain pocket

A sewn channel along the bottom of a drape that holds a chain, adding flexible weight so the fabric falls softly and evenly.

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Curtain track

The rail a drape runs on, driven by hand, by cord or by motor, sized to the weight and span of the curtain it carries.

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Cyclorama

A large, smooth backdrop stretched across the upstage wall that takes an even wash of light, for sky effects, colour washes and projection.

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Flammability Index

A score from the AS 1530.2 burn test rating how a fabric resists flame; Australian stage drapes must score 10 or lower.

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Fullness

The extra fabric width sewn in as pleats, given as a percentage over flat, so a drape looks gathered rather than stretched tight.

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Gauze

An open-weave cloth that reads solid under front light and turns transparent when the light comes from behind.

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Grommet

A reinforced metal eyelet set through the edge of a drape for tying, lacing or hanging.

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Guillotine

A drape that lifts straight up out of sight, so no wing space is needed to store the curtain.

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House curtain

The main curtain at the front of the stage that opens and closes the show, usually the heaviest and most decorative drape in the room.

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Legs

Tall, narrow drapes hung vertically at the sides of the stage to mask the wings, entrances and offstage equipment. Usually hung in pairs.

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Masking

The black drapes, legs, borders and tabs, that hide the wings, backstage and overhead rigging from the audience's sightlines.

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Master carrier

The lead carrier on each side of a centre-split track that pulls the drape open and closed and sets the overlap at centre.

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Pipe pocket

A sewn sleeve along the bottom of a drape that holds a length of pipe to keep wide fabric hanging straight and flat.

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Pleat

A fold sewn into the top of a drape to add volume; knife pleats run in one direction and set how full the curtain hangs.

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Scrim

An open-weave gauze that reads solid when lit from the front and turns transparent when lit from behind, used for reveals and ghost effects.

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Sharkstooth gauze

An open-weave stage fabric that looks solid when lit from the front and turns see-through when lit from behind, used for reveals.

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Smother

A large drape flown in to hide an entire stage or set piece from view, covering it fully between scenes.

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Tableau

A drape that draws up and out to the sides in a diagonal fan, a classical look used in ballet and opera houses.

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Tabs

Narrow drapes hung at the sides of the stage to close off the wings and set how wide the acting area reads.

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Traveller

A curtain that moves horizontally on a track, splitting from the centre or pulling to one side, for transitions or to divide a space.

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Tumbler

A drape that folds away panel by panel in sequence, a cascading reveal driven by automation.

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Valance

A short horizontal drape across the top of the proscenium that conceals the curtain track and lighting bars above the stage.

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Venetian

A drape that rises in independent vertical sections with scalloped edges, often seen in concert halls.

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Compliance

19 terms

AS 1418

The Australian Standard series for the design and safe use of cranes, hoists and winches; the backbone of every rigging inspection.

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AS 2550

The Australian Standard series for the safe use of cranes and hoists in service, applied alongside AS 1418 across an inspection.

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AS 4991

The Australian Standard for lifting devices used in entertainment rigging.

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AS/NZS 1891

The Australian/New Zealand Standard for industrial fall-arrest gear, harnesses and lanyards used for working at height.

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Asset register

A running record of every piece of equipment by unique ID, holding its condition history and service dates year on year.

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Competent Inspection Officer

The qualified person who carries out and signs off an inspection; the role named on TSA's inspection certificates.

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Condition grade

The rating given to each inspected item: A, B or C for a pass, or Low, Medium or High for a fail, each with a timeframe to act.

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DFR

Durably fire-retardant. A treatment that survives wash cycles before it needs retreating.

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Discard criteria

Published thresholds of wear or damage at which a piece of gear must be taken out of use, set by the maker or the standard.

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Due Diligence Level

A 1 to 5 rating of how well a venue keeps its equipment maintained, tracked year on year as evidence of care taken.

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IFR

Inherently fire-retardant. The fire resistance is built into the fibre and is permanent, so the rating never lapses.

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Load cert

Load certification: an engineering sign-off that a rigging point or structure can safely carry its rated load.

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Load test

A check where a known weight is applied to a hoist and held, proving it lifts its rated capacity safely; the figures go on the certificate.

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NDFR

Non-durably fire-retardant. A surface treatment that degrades with moisture and needs retreating after wet exposure.

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Personal height safety

Fall-protection gear worn for working at height (harnesses, lanyards, connectors) that must be inspected and tagged, like rigging.

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Service & Inspection Programme

An ongoing contract of scheduled inspections and maintenance visits that builds a documented service history for a venue's stage equipment.

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SWL / WLL

Safe Working Load / Working Load Limit: the maximum weight a hoist, sling or fitting is rated and certified to carry.

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Test & Tag

Electrical safety testing of powered equipment to standard AS/NZS 3760, with a dated tag fitted to show it passed.

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Venue Systems Health Check

A one-off documented inspection of a venue's stage systems (fly lines, rigging, hoists, tracks) reporting their condition and what needs attention.

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Automation

17 terms

Anti-sway

A control feature that stops a suspended load or flown piece from swinging as it starts, stops, or changes speed.

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Automated fly system

A motorised system that flies scenery, lighting bars, or performers in and out of view on cue, in place of manual rope hauling.

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Axis

One degree of freedom in controlled motion - a rotary turntable or a linear deck track. Several axes can be combined into one coordinated multi-axis effect.

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Closed-loop positioning

Position control where the system constantly checks where machinery actually is and corrects it to hit the exact target.

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Deadman switch

A control the operator must keep held for machinery to move; letting go stops it, guarding against a distracted or incapacitated operator.

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E-Stop

Emergency stop: a control that instantly cuts motion across the system to make it safe if something goes wrong.

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Encoder

A sensor that tracks how far and how fast a piece of machinery has moved, giving the control system its exact position.

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Load cell

A sensor that measures the weight hanging on a hoist, so the system can watch the load in real time and flag an overload.

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Motion control

Electronic control of how stage machinery moves, governing its speed, position, and timing during a performance.

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Raynok

A third-party motion control software and hardware platform that TSA integrates into its own automation consoles and drives.

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Revolve

A rotating section of stage floor that turns scenery or performers into view; also called a revolving stage or turntable.

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Self-climbing hoist

A hoist that climbs its own suspension chain to raise itself and its load up to a fixed rigging point.

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Show control

The control layer that runs stage moves to preset cues, so each effect happens the same way, in sync, every performance.

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Timecode

A running clock signal the show follows, so lighting, sound, video, and stage moves all fire at the exact same moments.

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Tracked scenery

Scenery mounted on a floor or overhead track so it moves on and off stage along a fixed path, driven by hand or on cue.

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Trap door

A powered opening in the stage floor, cued to the show, that lets performers or scenery appear and disappear through the deck.

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Variable speed drive

Drive electronics that run a motor or hoist smoothly across a range of speeds, rather than only full-speed on or off.

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Production

17 terms

Automation and control

Cue-driven motion that moves scenery, revolves and performers the same way every night, run from one control system.

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Bump-in

The pre-show install window when the set, rigging and drapes are loaded in and rigged. Also called load-in.

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Bump-in / bump-out

Moving a show's set and equipment into a venue (bump-in) and clearing it all out again after the final performance (bump-out).

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Bump-out

The strike and pack-down of a show at the end of its run. Also called load-out.

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Cue sheet

The ordered list of every technical action in a show (lighting, sound, automation, flying) and the exact moment each one is triggered.

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Double-braked system

A flying hoist fitted with two independent brakes, so a performer stays safely held if one brake ever fails.

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Drawing set

The coordinated package of technical drawings a show is built, rigged and certified from, covering every load-bearing and moving element.

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Flight path

The exact route a flown performer travels through the air during an effect, planned and controlled so it repeats safely every show.

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Kabuki drop

A staging effect where fabric hung above the stage is released to fall away at once, revealing a set or performer behind it.

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Manual brake release

A control that lets crew safely lower a suspended performer by hand if power is lost.

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Performer flying

Rigging and control systems that lift and move performers through the air on stage, engineered to the routine of a specific show.

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Performer harness

A body harness engineered and fitted for a specific performer and flying effect, not adapted from stage, industrial or climbing gear.

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Rigging plot

A scaled drawing showing where every rigging point, hoist and suspended load sits above the stage.

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Safety commissioning

Testing and certifying a system as safe to operate before it is handed over for use in a live show.

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Strike

The dismantle and pack-down of a set, rigging and drapes at the end of a show's run; part of bump-out.

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Technical direction

Owning and running the technical side of a show, from the first production meeting through load-in to the final pack-down.

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Working Load Limit (WLL)

The maximum load a piece of lifting equipment is rated and certified to carry safely.

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Dance

15 terms

AS 1288

The Australian Standard for installing glass safely, which studio wall mirrors are fitted to.

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Ballet barre

The horizontal rail dancers hold for balance during warm-up and technique; wall-mounted, floor-mounted or freestanding.

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Dance vinyl

A roll-out vinyl top surface laid over a floor to give dancers a consistent grip-and-slide for ballet, tap or contemporary.

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EPDM shock-pad

The grid of hard-wearing rubber pads under a sprung floor's panels that gives the floor its spring.

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FIBA

The International Basketball Federation, whose sports-floor standards for shock absorption and ball bounce are used to rate semi-sprung hall floors.

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Force reduction

A measure of how much a floor softens a landing; more force reduction means more shock taken away from the body.

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iQ Granit Acoustic

A cushioned, self-healing vinyl suited to tap, flamenco and stage work, glued down over a firm base.

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Marley

The industry's everyday name for roll-out vinyl dance flooring, used whatever the actual brand.

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Multiflex M

A semi-sprung timber sports floor that floats over the subfloor and lays joint-free to any size, for halls and gyms.

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Self-healing vinyl

Floor vinyl whose surface closes minor scuffs back over, so tap and hard-shoe work leaves no permanent scoring.

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Sprung floor

A dance floor built over a shock-absorbing layer so it flexes underfoot, cutting impact on feet, ankles, knees and hips.

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Studio mirror

A large wall-fixed or portable mirror set into a studio so dancers can check their line and technique.

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Tap Step

A portable sprung tap surface that gives real shock absorption and protects the floor beneath from tap and flamenco wear.

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Tarkett

A global performance-flooring brand whose dance vinyl and semi-sprung sports floor ranges are used in studios and halls.

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Vertical deformation

How far a sprung floor gives, or dips, underfoot when a dancer lands; a controlled amount cushions the joints.

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Scenic

14 terms

DMX

A standard digital control signal used to operate stage lighting, LED and effects from one console.

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Fit-out

The fabrication and on-site installation of interior fixtures, cases and displays that finish an empty space as a gallery or exhibition.

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Flat

A lightweight framed panel of timber and ply or canvas that stands as a wall, backdrop or scenery face on stage.

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Fly system

The rig of lines, pulleys and counterweights or motors that raises and lowers scenery above the stage.

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Hard coating

A tough protective shell applied over carved foam or polystyrene scenery so it resists knocks and handling.

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Load-in

The process of moving scenery and equipment into a venue and setting it up ready for the show.

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Plinth

A base or pedestal that a display object, sculpture or exhibit sits on.

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Portal

A scenic frame that surrounds the stage opening and masks the wings and overhead space, framing what the audience sees.

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Practical

A prop or fixture on set that actually works, such as a lamp that lights or a machine that runs, rather than a dummy.

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Raked deck

A stage floor or scenery platform built on a slope that tilts up toward the back, improving the audience's sightlines.

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Scenic finish

The painted, textured or coated surface treatment that gives scenery its final look, from bare timber to a realistic material.

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Set electrics

Electrical elements such as lighting, LED and control wiring built directly into a scenic piece rather than added separately.

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Wagon

A wheeled platform that carries a section of scenery so it can roll on and off stage between scenes.

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Wood graining

A hand-painting technique that makes a plain surface look like natural timber grain.

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Theatre

14 terms

Apron

The part of the stage floor in front of the main curtain line, closest to the audience.

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Bio box

The technical control room at the back of the auditorium where lighting and sound are operated.

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Black box

A plain studio theatre with black walls and movable seating, reconfigured for each production.

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Dark week

A week when a venue is closed with no performances, often used for maintenance or install work.

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Dock door

The large loading door a venue uses to move scenery, sets and equipment in and out.

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Fly tower

The tall structure above the stage that scenery, drapes and lighting are lifted up into, out of the audience's view.

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FOH

Front of house: the audience-facing parts of a venue, from the foyer to the auditorium side of the curtain.

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Get-in

The physical access route into a venue for scenery and equipment, from the street or dock through to the stage.

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Orchestra pit

The lowered area between the front of the stage and the audience where musicians play.

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PAC

Performing arts centre: a venue built for staged performance, usually with a proscenium stage and fly system.

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Proscenium

The arch or frame that separates the stage from the audience, the opening the audience watches the show through.

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Proscenium arch

The framed opening between the stage and the audience that the main curtain hangs in.

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Thrust stage

A stage that extends out into the auditorium, with audience seated on three sides of it.

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Wings

The offstage spaces at each side of the stage, out of the audience's sight, where performers and scenery wait.

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Competency

12 terms

Advanced Rigging

The top rigging licence, adding high-risk work like flying performers, aerial acts and span lines to the lower tickets.

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Basic Rigging

A rigging licence covering dogging plus tasks like hanging a single hoist, installing suspension points and setting up flying lines.

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Dogging

Slinging a load and directing the crane or hoist operator; licensed work requiring a Dogging Licence.

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Gantry crane

An overhead crane running on raised rails or a travelling bridge; operating one typically requires a High Risk Work Licence.

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High Risk Work Licence

A formal WHS licence required for higher-risk tasks such as crane operation, dogging or rigging; rules vary by state.

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Intermediate Rigging

A rigging licence above the lower tickets, covering multiple hoist systems and power-assisted hoists in theatre flying systems.

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Operation of machinery

Running installed machinery day to day, like pressing the buttons to fly a bar; gated by training and competency, not a licence.

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Operator competency

Being trained on and capable of running specific installed equipment safely, rather than holding a formal licence.

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Rigging ticket

Industry shorthand for a formal rigging or crane licence, such as a dogging or rigging certificate.

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Rope access

A method of working at height on ropes rather than scaffold or a platform, run under a formal safety system by trained technicians.

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Slinging

Attaching and securing a load to a crane or hoist using slings, shackles and correct load-handling technique.

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Theatrical rigging

Attaching lighting, sound, AV, drapes or scenery to an existing system by standard methods; competency and venue-gated, not licensed rigging.

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Hire

11 terms

Cross-hire

When one hire company rents gear from another to cover an order it cannot fill from its own stock.

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D8+ rated

A hoist certified to the D8 Plus standard, meaning it is approved to lift loads suspended above people.

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Double-braking

A hoist fitted with two independent brakes so that one brake failing cannot drop the load.

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Dry hire

Equipment rented for the customer to collect, install and operate themselves, with no crew supplied by the hire company.

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Hire fleet

The pool of equipment a company keeps stocked, inspected and maintained ready to rent out.

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Hoist controller

The control unit an operator uses to raise and lower chain hoists, from single-motor to multi-motor rigs.

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Load-in / load-out

Bringing equipment into a venue and setting it up (load-in), then dismantling and removing it afterwards (load-out).

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Pre-hire and post-hire inspection

Safety checks carried out on hire equipment both before it goes out and again after it comes back.

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Soft goods

The fabric items on a stage: drapes, curtains, borders and backdrops.

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Touring pack

A standardised bundle of equipment put together to support a production for its whole touring run.

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Wet hire

Hire where the supplier delivers, installs and collects the equipment, often with crew, rather than handing it over at a counter.

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Venue

9 terms

Commissioning

The stage where installed equipment is tested, adjusted and proven safe and working before it is handed to the venue.

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Duty cycle

How much and how often a piece of equipment is designed to run, so a permanent install is rated to work reliably over its lifespan.

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Fit-out to commission

The full delivery span from installing a venue's staging equipment through to testing, proving and signing it off ready for use.

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Global E-stop

A single emergency-stop control that halts every powered axis in the system at once for safety.

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Integrated delivery

One organisation designing and installing scenic, rigging, automation and drapes as a single coordinated system rather than separate contractors.

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Live load monitoring

Sensors that read the actual weight on each hoist in real time so the control system can keep a group balanced and safe.

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Load path

The route a load's weight follows through the structure into the building - whether hung from overhead rigging or supported from below, like large platforms, lifts and two-storey scenic pieces - checked so nothing is overloaded.

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Pile hoist

A ceiling-mounted winch that raises and lowers a lighting bar or batten on multiple steel wire ropes, kept level as it moves.

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Skytrack

Ceiling-mounted track that lets a hung fixture or hoist be moved to any position along its length.

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Fabric

6 terms

Blockout

A dense lining or drape that stops light passing through, used for tech blackouts and to back masking.

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Filled cloth

A coated white cloth on a wide roll that takes an even wash of light without hot spots, the standard cyclorama surface.

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GSM

Grams per square metre, the standard measure of fabric weight. Heavier cloth generally blocks more light and hangs fuller.

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Turo molton

A brushed-cotton black on a wide roll, lighter and lower-cost than wool serge, surface-treated for fire retardancy (retreat after moisture).

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Velvet

A deep-pile cloth with rich colour and enough weight to absorb sound, used for house curtains, valances and auditorium dressing.

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Wool serge

A dense, matte wool cloth that soaks up stray light instead of reflecting it, so masking reads as true black. Inherently fire-retardant.

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