01 - What We Do

Eight capabilities. One TSA.

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A performer flown mid-air on stage under purple light.

Automation and control - TSA designs, builds and integrates theatrical automation on the Raynok control platform, cue-synced and safe every performance

Production engineering · Automation & control

The move runs the same every performance.

TSA designs and builds the machinery, then integrates and commissions it on the Raynok control platform - automated fly, revolves, tracked scenery, lifts and sunroofs, cue-synced and monitored so the move lands the same, safely, every performance.

See our installs →

Or call 1300 439 872

Trusted on stages and in venues around Australia
Alder Construction Anglican Church Grammar School Annie Apollo Property Group Arts Queensland Back to the Future Beetlejuice Brisbane Powerhouse Brisbane Showgrounds Built Cairns Convention Centre Canberra Theatre Centre Capricorn Rigging Crossroads Live Crown Resorts Disney Diversified Edith Cowan University Encore Gold Coast Convention and Exhibition Centre Griffith University Hamilton HOTA Home of the Arts Ipswich Civic Centre Lendlease The Lion King Livingstone Christian College Logan City Council Mackay Regional Council Melbourne Olympic Park Michael Cassel Group Microhire MJ The Musical Moulin Rouge Mueller College Multiplex National Gallery of Victoria Queensland University of Technology Res-X Universal Studios University of Adelaide University of Melbourne WA Department of Local Government, Sport and Cultural Industries Wicked Wollongong City Council
How we plug in

We build it,
or we control it.

Turn-key, or Raynok control over machinery you already run. Either way, one team owns the moving parts and how they are driven.

01

We build it and we run it

Turn-key. TSA designs and builds the machinery, then integrates and commissions it on the Raynok control platform - one accountable partner from mechanical build to opening night.

02

Control over your machinery

Already have the kit? We integrate Raynok control over your existing automation and hoists, cue it to your show and commission it safely.

03

One axis or a whole rig

Start with a single automated bar or lift, or scale to a multi-axis 3D rig. The same system and the same operators grow with the show.

0
One team for the machinery and its control
0
Move types: automated fly, revolves, tracked scenery, lifts, sunroofs
0+ yrs
Running five performer flying rigs
AU
Designed and built in Australia
A motorised truss element angled up toward the ceiling of a venue.
Motorised truss angled toward the ceiling
What we mean by automation

Built and controlled
as one system.

Theatrical automation is a stage move driven under software control so it runs the same way, on cue, every performance. TSA delivers it turn-key: we design and build the machinery, then integrate and commission it on the Raynok control platform. It is one part of Production Engineering.

Automation at a glance
MovesFly bar, revolve, tracked wagon, lift, sunroof (a sloat: a sliding lid over a trap)
Control platformRaynok, integrated and commissioned by TSA
AccountableOne team for the moving part and the control that drives it
Cue change or re-balanced load pathHandled in one place, not passed between vendors
Automation you already runSame arrangement: we integrate control over it
Automated fly Revolves & tracks Lifts & sunroofs Cue-synced Anti-sway control
Where it earns its keep

Four jobs, one system.

One accountable team

Whether we build the machinery or integrate control over yours, one team owns how it moves.

The same move, every show

The same move, every performance.

One bar to a 3D rig

From a single fly bar to a multi-axis 3D rig, on one control system.

Cued to your show

Triggered to show timecode, with live position data out to projection.

How we run it

How the move runs.

Designed and built, then driven and monitored under one control system. How a cue becomes a repeatable, safe move.

  1. Step 01

    Mechanical design & build

    The machinery that makes the move - engineered, fabricated and load-rated in-house.

  2. Step 02

    Drives & control

    Variable-speed drives integrated with the Raynok control platform, sized to the axis and the load.

  3. Step 03

    Cue programming

    Each move programmed to your cue sheet and, where you need it, to show timecode.

  4. Step 04

    Anti-sway & feedback

    Closed-loop position and load feedback, with anti-sway on multi-axis moves.

  5. Step 05

    Run & live-monitor

    Operated from the desk with live load and position read-outs, every performance.

It is one part of Production Engineering - technical design and drafting, performer flying and custom fabrication all sit alongside it.

A purple dual-motor winch with a wire rope drum mounted on a black truss frame.
Design & build Dual-motor winch on a truss frame
Raynok automation control racks with turntable axis modules staged in the warehouse.
Drives & control Raynok racks with turntable axis modules
Dual Raynok Imperium control consoles with cue-list and CAD screens.
Cue programming Dual Raynok Imperium consoles
Operators at the front-of-house tech desk watch the stage during rehearsal.
Run & monitor Front-of-house control position, Wicked
Flying rig hardware above the arena at Australian Outback Spectacular.
Flying rig Australian Outback Spectacular
An operator at the control desk looks out over the arena at Australian Outback Spectacular.
Control desk the arena from the desk
On the job

Seven years.
4,000+ shows.

TSA services the five performer flying rigs and the automation behind Australian Outback Spectacular, kept show-ready.

Read the case study →
Two crew welding a circular steel revolve frame in the workshop, touring show posters on the wall behind.
On the job

The same team that engineers the move puts it on the floor and keeps it running.

Revolve build A circular steel frame being welded up in the workshop
FAQ

Questions
about automation & control.

If your question isn't here, talk to our team and we'll come back with the right answer for your show.

Call 1300 439 872 →
Both. Turn-key, we design and build the machinery and commission it on the Raynok control platform. Or, if you already run the kit, we integrate Raynok control over your existing automation and hoists and commission it to your show. Either way one team is accountable for the move and the control that drives it.
Yes. Moves can be triggered to show timecode and the Raynok control platform integrates with lighting, video, audio and life-safety systems, with live positional data available to media servers for projection.
The machinery is ours: TSA designs, builds and integrates it. The control layer is the Raynok platform, which we commission and run. One team owns the machinery, the integration and the accountability for the whole system on your stage.
Build it and run it

Tell us
the move.

Send the moves your show needs, the machinery and the venue. We'll build and integrate them, commissioned on the Raynok control platform - one accountable partner from the mechanical build to the control.

See our installs →
  • We build. The machinery, engineered in-house.
  • We control. Drives and Raynok, programmed to your cue sheet.
  • We run it. Live load and position read-outs, every show.